Social Sustainable Tourism – The Global Entity https://tge.adhd-hub.net Exploring the world through dance, creativity and community. Sun, 25 May 2025 21:49:10 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.3 https://tge.adhd-hub.net/wp-content/uploads/2025/02/Artboard-8.svg Social Sustainable Tourism – The Global Entity https://tge.adhd-hub.net 32 32 First day of Luju Festival in Eswatini 2023 https://tge.adhd-hub.net/first-day-of-luju-festival-in-eswatini/ https://tge.adhd-hub.net/first-day-of-luju-festival-in-eswatini/#comments Tue, 30 Jul 2024 13:30:19 +0000 https://theglobalentity.com/?p=1683
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Part 1 of 4: First day of Luju Festival in Eswatini 2023 
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A few weeks ago, I received the incredible news that I had been accepted as media at a fashion and music festival called Standard Bank Luju Festival in Eswatini! It is the blogs first accreditation and the start of something new and amazing. I envision; experience based festival stories, close ups of the artists and gems we find, logistics around the festival, tips and tricks of how to have the best camping experience and so much more. All of this to build a comprehensive festival map for us festival lovers! Tag along and see how it goes, I am beyond excited to take you guys with on this experience of uncovering the essence of yet another, likely very beautiful, festival in southern Africa.

Beginner tips on solo traveling and crossing borders from Mozambique

Despite my historically dramatic experience of crossing the Mozambican land border on my own , I had decided to take the local bus, called Xiapa/Kombi, to Eswatini. I arrived at Legends Backpackers, in Ezulwini Valley, after a journey of sixteen hours! The first eight hours were simply waiting at the bus stop for the bus to fill up. I had been told to be at the bus station in Baixa, downtown Maputo, at eight in the morning. At two o’clock the Xiapa was only half full and we still didn’t know when we would be departing. At that point I definitely started feeling stressed about the situation. I did not want to get stuck at the border at night, again…

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I approach the driver for the fifth time. He looked at me with tired eyes and explained that nobody can honestly say what time a Xiapa will depart since they can’t know when the bus will be full enough to leave. And since the bus is dependent on its passengers to leave, they will tell you the time they think will make you happy so that you choose to travel with them.

I sigh with irritation. I get the dilemma, I do. But it is so inefficient and dishonest it makes me crawl with irritation. It wasn’t what I was told yesterday when I came to arrange my trip. My phone battery is already running low but there is no point in leaving the bus to charge it now, the bus could leave at any point. At any point meaning anywhere between the next five minutes to the next two hours. I sigh again. I think about my friend Inga who always used to smile at my impatience and say “In Mozambique we wait! It’s a daily activity here.”

With a much grumpier demeanour than her, I cross my arms and sit down in the bus for another two hours of nothing. When we get to the border, it is dark. As we park the bus I look to the driver, it is the same driver who left me here the last time we were here. I try to catch his eye now but he stubbornly avoids all contact. Maybe he remembers all the trouble from last time and wants to avoid any involvement. Or maybe he feels guilty about leaving me here with the all male police officers in the middle of the night. I know I would. 

I don’t know what it is about my passport that makes all the officers huff and gruff when they receive it. After some back and forth I do get my passport back and am allowed to continue traveling. I am not used to this, having to argue with authority about what is right and wrong. It makes me nervous and uncomfortable as hell. I guess I should see it as free therapy for my people pleasing tendencies…

“Back so soon?” The Eswatini border police says with a smile as he stamps my passport. So smooth. No overly inflated egos or inappropriate questions. I smile in return and explain I am here for Luju Festival. The officer in turn wishes me the best of times and that was that. This is how it should be.

Pre Luju jitters

When I wake up Friday morning the festival excitement is quickly replaced by chaos. The guy who was supposed to be my videographer this festival has canceled. This was supposed to be my first festival with a team, a huge investment and step forward for the blog. Furthermore, he was also bringing all of my outfits for the festival as well as my winter jacket, a MUST-HAVE in Eswatini early August (the end of winter season). Not to talk about the emotional rollercoaster of getting ditched the day of your first big gig. What a shit show. Sort of like that reoccurring nightmare of showing up to a performance and only realizing on stage that you are naked. Or coming unprepared to a pitch.

I go into crisis fixing mode and rush to The Gables, a mall close by, to see what can be done about the wardrobe. It only hits me mid chaos induced shopping spree that I realize: I am about to participate in a fashion festival?! A festival that specifically has  as purpose to enable and give space to local brands and crafts! I immediately put down whatever I’m holding and leave the mall. On my way back to the backpackers I start to laugh, stress can really be blinding!

I was in Eswatini about to experience a high-end food and fashion  festival! Today was the day of dreams and adventure! What else really mattered? Sure, nothing was going as planned, but when has it ever really? I could feel the worry and stress from this morning washing off me and when the Media lady later on put the press band around my wrist, I vowed to always remember this moment. The moment of dream weaving and creation!!

As soon as I go through the main entrance of Luju Festival I am met by Simon, Luju’s Communications Officer. The festival is already in full swing as we pass through the different areas. Simon explains that Luju used to be a one day festival but has now merged into a two day festival due to popular demand. He makes a point of saying that even though the festival is growing bigger and bigger each year, it is not about getting the biggest names on stage. Rather it is about creating a stage for the artists and creatives that both align with and expand the values of the Luju food and lifestyle festival

Simon  takes me to a top-up station so that I can fill my festival band, as Luju is a cashless festival. When I am done I can’t help but feel a bit lost. My performance anxiety kicks in full force as Simon introduces me to the media people at the media tent. I feel like an imposter next to these professional radio and newspaper people. Everyone is in a team. “…don’t forget to have fun!” Simon squeezed my shoulder lightly, perhaps seeing how my face was turning paler and paler by the minute, before rushing off into the Luju night. I take a deep breath, show time!

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The Eswatini Tacos food stand at Lujus magical food market.

First night of Luju Festival 2023

I have a few hours before my first interview and I start by scoping out a place to eat. I have heard endlessly about how one of the three main pillars of Luju Festival is the food (the other two being fashion and music). I am more than excited when I walk around and smell the different aromas from the diverse cuisines. The Lounge has seated areas around fires and I end up enjoying some fresh spring rolls.

The taste of coriander, chilli, ginger and soy hits me full force and I smile. I can feel the heat from the fire warming my back and in front of me the Luju festival is coming to life as more and more people start dancing to Iamsiwas beats. As I start walking towards the main stage, the next act goes on. Before I know it, the cold night air is filled with the powerful voices of Emahlokohloko choir. The choir from Eswatini makes for a powerful start of the live music acts as its songs of worship and devotion, joy and gratitude invite people to dance and sing along. Praise is praise, and I could feel the energy of the music in my soul even though I didn’t  understand one word.

Somewhere, half way through the performance, I sway away through the happy crowds towards the Fashion Café. Since my own planned wardrobe got stuck in South Africa, I was now eager to use this excuse to shop at Luju’s infamous fashion market. Every vendor and creator I spoke to either talked about their heritage, co-living with nature, or their spirituality in some sense. My first artist to interview at Luju Festival, singer Dato Seiko from Botswana, seemed to personify these attributes in every sense – from her lyrics to her humble, esoteric presence.

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Singer Dato Seiko from Botswana, performing at Luju Festival 2023.

Interview with Dato Seiko

At eight o’clock on the first evening of Luju Festival 2023, the Botswanan singer Dato Seiko, takes the stage. Her small stature in spite, her presence feels larger than the open-air stage she stands on. She has the audience spellbound from the first note sung. Her music can be described as singer songwriter gone RnB style, combined with vulnerable, heartfelt lyrics. The chilly Eswatini air only made itself known after Dato Seiko let the last note die out. When I later ask her if she has always felt comfortable on stage, she giggles a little and shrugs.

“I think the stage has always loved me. It chose me, I don’t know how I even got here but music has always found a way to me. Even when I tried to ignore it, it kept calling me. I mean, you have to rehearse quite a lot for you to be comfortable on stage but the nerves never go away… I am still nervous every time!”

What is it that inspires you to go through that uncomfortable stage of nerves and do what you do?
“I alway say that we provide a healing service, we are service providers. People always need some type of healing, our music is affordable therapy! I think, seeing people resonate with the music that we write and the music that we make, or having somebody say that you told our story through your song and you don’t even know them! It shows how powerful music is as a tool to actually heal people.” It is not hard to feel she is right. Dato Seikos songs vibrate right into where it feels the most. Where you need it the most.

How is it being a woman navigating a male dominated business?

“I like to believe that when Grace is upon you, nothing can stop you. So even if it’s a male dominated industry, if you step in – your authority will be felt”.

Dato Seiko is not only known for her performances and music. She has over three hundred thousand followers on social media, to whom she generously shares her best singing coach tips. I ask her,
do you have any words of wisdom to somebody who is just starting out?

“Do what you have to do and believe in what you are doing. You are the best salesman for yourself so believe in what you do, thoroughly, and do it! I think there is always someone out there that resonates with you so don’t think too much about it, just do it and see it come to fruition.”

I look into her kind eyes as I thank her for her time, unable to express the peace her words had blessed me with. As I walk out into the cool Eswatini night, I can feel how the interview has grounded me. Is this what my life is like now? *mind blown*

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Eswatini Country duo Dusty & Stones, performing at Luju Festival 2023.

Luju's line-up Friday night 2023

The rest of the evening is packed, Luju’s line-up is on fire! Straight after the interview I head towards the Taste of Mozambique area where the Hood Brodz have the whole Amphitheater boiling. It is almost impossible to get down to the dance floor but I was up for the challenge, properly motivated by the DJs. I get down to the dance floor and within five minutes I am sweating, something I did not think was possible in the Eswatini winter night.

After a good thirty minutes of dancing I start heading back to the media tent to prepare for the next interview. Halfway there I stop mid step, I can’t believe my ears. But clear as day, it’s country music! I don’t know about you, but Eswatini is the last place I’d expect to hear country music at. I walk towards the Mastercard stage and see, what I now know is the Eswatini Country duo Dusty & Stones, making the whole crowd dance. I stay as long as I can and watch young and old having fun together to the happy music.

Seeing the genius Zoë Modiga perform was a highlight out of this world! Having the honour to interview her is something I am still processing and will write extensively about soon. When I get back to the main stage, DJ Teedo Love has everyone dancing their feet off. It feels like the whole field is swaying in unison as she mixes modern hits with timeless classics.

After this I was honestly ready to get going home, my night felt complete. But I had promised a friend to not miss Big Zulu’s performance as she couldn’t be here herself. I wasn’t disappointed. His performance set the audience on fire to the extent it was sometimes hard to hear him over the chanting crowd. When I got back to the hostel it was three am and I could still hear the crowds in my ears.

Getting from Luju festival without a car

There hadn’t been any shuttles nor taxis available when the festivals last concert had ended, only endless cues of cars. Eventually, two girls waiting for their mother to pick them up took pity on me and offered me a ride. Without a proper jacket, I gratefully accepted their offer while messaging a picture of the car’s registration number to a friend. Just in case. I have been advised to always have my own car when traveling these regions simply because it is easier. Even public transport doesn’t run on a time schedule. But I believe it is important to be able to access events with public transport and taxis. For economic accessibility and such. Especially in countries where the larger portion of the population lives in poverty, accessible transportation options directly correlates to who can come and enjoy the events.

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30 days in Eswatini: Reflections from a detour https://tge.adhd-hub.net/30-days-in-eswatini-reflections-from-a-detour/ https://tge.adhd-hub.net/30-days-in-eswatini-reflections-from-a-detour/#comments Wed, 20 Mar 2024 18:04:22 +0000 https://theglobalentity.com/?p=2736
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30 Days In Eswatini: Reflections From A Detour
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MTN Bushfire: A catalyst for change in festival tourism

Going to MTN Bushfire Festival in Eswatini last year was one of the most amazing experiences to this day. It catapulted my life in a completely different direction and today I am going to share with you why. Firstly, despite my best effort to get a group together for the Bushfire festival, I ended up going alone. To simply go to a festival in a country you’ve never been in before, on a continent far from your own, felt like an achievement in itself.

What really made the difference was how beautifully the festival was organised. I felt so safe. There was such abundance for every sense to enjoy. It completely blew all my fears and prejudices away. Somewhere in between all the dancing, conversations with strangers, random poetry slam sessions and midnight adventures, I could feel how my brain started to tick. It was almost like I could feel somebody turning up the dimmer on the light bulb above my head.

As I walked through the tents, the sun was rising in the pink morning above Bushfire, other memories started filling my mind from similar scenarios. Similarly rosy mornings, tents with thousands and thousands of people from different corners of the world, the beat that never ends, and the endless connections. Only, these memories weren’t from here, no, they were memories from my early adulthood. Me and my friends used to travel Europe in search for the best festivals, it was what our whole year surmounted to. The Festivals! We would always come home feeling inspired and wiser, enamored with life and what lay ahead. How come I did not see the same traffic of travelers and tourists for festivals here in Africa? The literal definition of creative abundance. 

The Global Entity Bushfire experience

Visa issues and redirection

The day after Bushfire Festival ended, I was in my friend’s car going from Eswatini to Pietermaritzburg, South Africa. It was a seven hour drive and I sat the entire ride thinking and processing what I had just experienced. Before coming on this journey I did a bachelor in Global Studies, which is basically learning to analyse why the world is crap, but my career is based in sales. As I sat looking out at the Eswatinian mountains passing by me, the different factors were spinning around in my head: international tourism, lack of information, fear and misconceptions, cultural appropriation, exploitative tourism, the longing to belong, Ubuntu and the knowing that we are all connected.

All of the thoughts surrounded the core question that has been circulating at the top of my mind ever since I started solo traveling in 2015: How can we travel in a just and kind way? Meaning, in a way that strengthens the locals in whatever way they define as valuable and that enables exploitation free structures for interaction between locals and tourists.

The concept that kept coming up, and that has followed me around ever since, was Social Sustainable Tourism. Despite having studied sustainability for almost three years straight, social sustainability always seemed to be the less conceptualized one. The definitions are many but the implementation of Social Sustainability in businesses and structures seems lacking. I started to see how festivals, with their international reach and huge local impact, both in terms of jobs, pr and representation for local artists and crew, could be a huge trendsetter for sustainability within two industries: the culture and arts industry as well as the tourism industry.

When we arrived at the border, I was denied visa into South Africa, saying I had to go back to my country of residency before entering again. I had counted on being able to spend the next three months in South Africa, surfing on the couches of my friends but this definitely threw out those plans. This also made me pause any and all thoughts of Social Sustainable Tourism and Festivals for a while. 

You can read about my full MTN Bushfire experience here, here and here!

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My safe haven: an unexpected turn to Eswatini

My failed attempt to enter South Africa led me right back to Eswatini, where they gave me another 30 days without hesitation. Thank goodness. Traveling solo without a concrete plan is a full time job in and of itself so I decided to book myself into the same hostel that I had stayed at during Bushfire: Legends Backpacker in Ezulwini. I hadn’t planned on spending time in Eswatini so having a base that was familiar felt good. I was meant to spend the three months in South Africa writing a second bachelor thesis in International Relations, but I was feeling utterly uninspired right now.

Contrary to common assumption, considering my lifestyle choices, I don’t do well with changes and uncertainty. Having my three months-in-South Africa plans disrupted deeply unsettled me and I could not for the life of me focus on writing a thesis. Instead I spent my 30 days in Eswatini in Tanya’s car as she drove us around mountain up and mountain down. I met Tanya in Mozambique as she was traveling but she actually works in Ezulwini with Swazi Trails. Eswatini is breathtaking. There is no other word for it. It is completely enveloped in mountains and everything is intensely green. Nature is so predominant, you hardly notice the buildings. 

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A month in Ezulwini, Eswatini

Tanya and I drive around for hours talking about life and what we want. We listen to music at full volume and laugh as people stare. She is certainly a sight to see, Tanya, as she sits behind the wheel of the huge jeep. She is the shortest lady I know and barely looks old enough to hold a driving license. Furthermore, she is a Swazi woman driving a jeep, not a common sight here. Let me just say jaws dropped and heads were turned when she pulled through!

Sitting there, letting the landscape pass us by, it started to feel pretty okay to be uncertain about the future. Gosh, I was even uncertain about the present! As Tanya took me to yet another beautiful sunset, at yet another beautiful Swazi peak, I started to accept that maybe I wasn’t supposed to be in South Africa right now. Maybe I wasn’t even supposed to be writing a thesis right now? The thought of letting the thesis go and sitting with complete uncertainty about what I should be doing with my time felt both crazy and just right. So naturally, that is what I did. 

One afternoon as Tanya and I are out doing errands, she turns onto a very beaten up road. It takes us into a township. The dust from the road colours every house and tree in the area into a monochrome scale of brown. It makes the kids kicking a deflated football around look like bright Christmas lights in their colourful t-shirts. They all stop and stare as Tanya pulls up and parks. “This is where I grew up.” She explains and jumps out of the car. As soon as she is outside everybody comes to greet her, they want to know who her strange friend is. She takes me around, sharing different anecdotes about what her life used to be like here. We quickly get invited into her family home and soon I find myself in a couch with lots of people coming in and out wanting to say hello. I get something to drink and after a while everyone settles down.

Global Entity Solo Traveling in Eswatini

Suddenly the father of the house turns to me and stares into my eyes. “What is your name?” I repeat to him that my name is Julia but he shakes his head vigorously and asks again “What is your name?” Tanya looks at my confused expression and intervenes “He means your Swazi name Julia. What is your Swazi name?” I explain that I don’t have one and he turns around and starts arguing with Tanya in siSwati. How can it be that your friend has been in Swazi this whole time without a name?! Tanya just laughs. Without further ado, he takes a swig of the beer, stands up and declares “You! You are Temave! Temave… Makhanya!” The family erupts cheers and laughuter. When the commotion subdues, Tanya leans over and starts explaining. “In siSwati, words can have multiple meanings depending on the context but Temave,” Tanya says. “Means the worldly person, or one that has traveled a lot. Makhanya, means the one who lights up or the light bringer.” I smile. What a gift! The traveling light bringer, I send out a prayer for there to be something prophetic about that. 

When we drive home that evening, my heart is full. A whole month has passed in Eswatini, and as peaceful and uneventful as this place has been, time has gone by in the blink of an eye. I think I needed this month to let myself adjust. Letting go of South Africa and my plan to write a thesis felt scary but right. I was curious about what would take its place instead. When we got home it was time for me to start packing, Mozambique was waiting for me!

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Navigating Gender Dynamics: Insights from a Solo Female Traveler in Southern Africa   https://tge.adhd-hub.net/navigating-gender-dynamics-insights-from-a-solo-female-traveler-in-southern-africa/ https://tge.adhd-hub.net/navigating-gender-dynamics-insights-from-a-solo-female-traveler-in-southern-africa/#comments Sat, 09 Mar 2024 06:08:17 +0000 https://theglobalentity.com/?p=2467
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Navigating Gender Dynamics: Insights from a Solo Female Traveler in Southern Africa
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Where are all the women within tourism? 

Today’s blog post is long overdue, and yet, I ended up almost not writing it at all. It regards the theme of female security, a theme that has followed me regardless of whether I’m traveling or at home in Sweden. I hesitated for many months writing this, afraid to not get the many nuances across, to come off as a victim, or to perpetuate the already existing racist narratives and prejudices about the countries I travel. However, this is a defining part of my experience as a solo traveling female, not writing about it would also essentially be negating a central aspect of my life as a woman. For the longest time, I used to normalize a lot of what I now see are skewed power dynamics. Sharing my experience will perhaps help somebody else in their process. 

Ever since I got into Mozambique at the beginning of last year I’ve been wondering, where are all the women? I was in a new country, wanting to meet people but whenever I went out, it felt like 99% of the people I met were men. Not only that it was mostly men who approached me, it felt like it was generally solely men out and about in Maputo’s night life. On the one hand, it is not uncommon that women are less present in public spaces at night. Security reasons, gender norms, economic limitations of who earns and spends the funds of the home… But in Mozambique, my impression was that the skewed gender division of space was applicable in most areas in society, not just the nightlife. The musicians and the guides, the space owners and the participants in different spaces were almost all male. Odd, considering that statistically there are more women in Mozambique than men. When I eventually got to Tofo it was no different, all men.

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Experiencing the patriarchy as a solo traveling female

I have previously shared little bits and pieces about the security aspect of being a solo female traveler. Most recently I wrote a small piece about how the amount and type of male attention I got in Tofo was overwhelming. The underlying presence of alcohol and violence created an uncertainty which felt difficult to navigate as a solo traveler and as a woman.

Some hard, yet beautiful conversations were had with a few of the men and eventually we found our way of coexisting. What I did not see coming was how the mere fact that I, an unmarried woman traveling alone, would be perceived and received negatively simply because I was just that – a solo traveling female. In Tofo, it got to the extent that I actually ended up adapting my behavior and eventually changing my accommodation. 

I was a solo traveling female, living on my own amongst a group of male musicians and tourism staff in Tofo. Living there, I always felt safe, respected and included. We went to dinners, cooked together, chilled during the days and partied during the nights. After my first week in Tofo, rumours about me being a whore got back to me. It hit me like a brick in the stomach to tell you the truth. Not solely because it is such a demeaning terminology used to put women ‘in their place’ but because the people telling these stories were people I saw every day.

Mostly though, it made me feel scared and small. Getting the reputation of a whore in a patriarchy, anywhere in the world, is definitely effective in making you feel small. I find it a scary place to be in when my reputation crashes and burns. It’s not just words, it translates into how people treat me, how safe I feel, how respected I get. I wish I could say something empowering on how to navigate these dynamics, but this is something I am still processing, strategies I’d prefer to be oblivious of. 

In retrospect I am not too surprised at what transpired those weeks in Tofo. I’ve seen it and lived it time and time again growing up. When I lived in Nicaragua as a seven-year-old I was called into the principal’s office for playing football with the boys, it was not considered appropriate. I was 12 years old the first time I was called a whore, it was a male classmate in Sweden who wanted to put me in my place. When I was 15 years old, the girl in my class who rather hung out with the guys, quickly got turned into the main subject of everyone’s name calling and trash talking.

I’d love to say that it got better once we were older but that was never the case. It is the usual story; guys get crowned kings for how many girls they bed and girls learn how to balance the whore-Madonna complex where you both needed the men’s desire to be ‘valued’ but also need to watch out to not get the tramp stamp. Harsh, I know. 

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The duality of gendered dynamics when solo travelling

As a solo traveler, or as somebody doing life outside of their own country, dependency is what is the hardest – that you are so reliant on the people around you. I think our experiences are largely shaped by the people and norms that surround us and when I was in Mozambique, that experience largely consisted of men but not solely in the negative way described above. No. I can safely say that on a personal level it has been both eye opening and heartwarming.

Back home, my close friend group consists of 99% women but through the process of slow traveling Mozambique for eight months, my closest friends here consist of 99% men. Beautiful friendships with souls that I built relationships with probably simply and just because there were no other women in my proximity at the time. Reflecting on this makes me realise to what extent my own behavior is also saturated with gendered notions. 

Without sounding too crass, another aspect of traveling as a solo female is that I use my perception of the gender dynamics to gain more access to places and times I otherwise wouldn’t feel safe or comfortable visiting. Through the inclusion and company of my male friends and acquaintances, I get access to spaces and social circles at times that I wouldn’t access on my own, like going out at night in a new place or walking into areas that aren’t tourist friendly.

On the other hand, it doesn’t come for free. The mere feeling alone of existing at the mercy of a stranger you met is a price. But what would happen if one of those male acquaintances who chaperone me around at night, what if he suddenly feels he doesn’t want to do it anymore? Or if he decides he wants something in exchange? Imagine getting ditched and stranded somewhere in the middle of the night in a strange city just because you don’t want to sleep with the guy. Nightmare.  

These dynamics affect what and who I choose to write about on the blog. Slow traveling helps get a fuller picture of the people and enterprises. This is one of the reasons I often publish a post a few months after I’ve experienced something, both good as bad. I want this platform to be a safe space for all of us solo travelers, especially from a woman’s perspective.

It was a very cold shower to receive a message a few months ago from a perfect stranger, a woman I had never met before, warning me about one of the men I was making content for. My name had showed up in the credits of his video. At first, I didn’t want to believe it, he was not just a collaborator but a friend I relied on. As I started digging for more information online, more accusations came up. This guy was a scammer. A scammer specifically targeting young, tourist women. Disaster! In the end, he ended up scamming money from me as well. The finesse of a scammer is that I didn’t realise it till months afterwards.  

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How Women Impact my Travel Safety and Experience

The rumours that were spread about me in Tofo in some ways felt surreal, like something from a movie, but the consequences were very real. It changed how I perceived and navigated Tofo. The silver lining of that whole ordeal was that I got to move into a local woman’s house. We had met only a few weeks earlier when I was out and about partying in Tofo.

She was an entrepreneur, a single mom and a Mozambican. If I thought that I had to balance on a knife to navigate the Mozambican patriarchy, it was vastly different from the machete she had to walk on daily as a Mozambican woman. It opened my eyes to the double standards and differences between how foreign women are viewed and treated in comparison to the local women.

With her by my side I also started to see different ways to handle the patriarchy in action. She reminded me that I don’t owe anybody niceness. She asserted her space and her innate right to it like it was nobody’s business, letting the backtalk fuel her motivation to build a life according to her. She is one of the strongest women I know and a huge inspiration. As weird as it may sound, I am grateful to how everything played out in Tofo, even the nasty. It was hurtful, yes. But the experience somehow shook me out of the role I thought I had to play as a visitor from a rich, European country. 

When I left Tofo, I went straight to Bilene, another sleepy seaside town in Mozambique, to meet my friend Inga. She is also a solo traveler from Sweden, sort of. At this point we had only known each other for three months tops but she had already become an integral part of my Mozambican experience. I poured my heart out to her, telling her all about the rumours, the beach boys and the scammer. We end up laughing at the whole situation, all my stumbles and the mess it all made.

It is nice to talk to somebody who doesn’t need me to explain the clashes that happens because I am foreign, that understands the culture and gender norms I grew up with. I feel seen and safe. It makes me wonder how the thing in Tofo would have played out if there were more women in the tourism sector. Not just as cleaners and cooks, but as guides, owners, bartenders, participants and party goers. How would it have transpired if more women were part of the public spaces and had a bigger voice?

What I do know is that for me, more women in public spaces makes me feel safe. That is usually how I judge when it is time for me to leave a party or a club when I’m out in new country. I leave when the local women start to leave. 

When I’m back in Maputo there is a big concert in Mafalala, a neighbourhood on the outskirts of town. Inga and I want to dance but the crowd mostly consists of young teenagers pushing through the crowds from one corner to the other. Each time we start dancing a ring of male spectators form around us, it makes me uncomfortable and uneasy.

Halfway through the night, we find ourselves in the middle of the crowd again. We are surrounded by what appears to be the grannies of the neighbourhood, they have formed a circle and together we dance our butts off. The women laugh, cheer and sing when I dance in the middle, from the corner of my eye I see how one of the grannies grabs a young man by the ear and pushes him out of our circle when he tries to dance with us. There is zero tolerance from the grannies, this is their space, and they have no time for the boys and men surrounding us. They are here to dance and dance we did.

I catch Inga’s eye across the sea of hijabs and shaking arms surrounding us. The joy I see in her eyes I know must mirror my own. Liberty. The freedom that comes from feeling safe and doing what you love. The memory gives me goose bumps. Women! I live for you!

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Why slow travel? https://tge.adhd-hub.net/why-slow-travel/ https://tge.adhd-hub.net/why-slow-travel/#comments Sat, 20 Jan 2024 03:59:45 +0000 https://theglobalentity.com/?p=2033
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The Global Entity
Why Slow Travel?
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Is slow traveling actually therapeutic?

Despite my disastrous first week in Tofo, I ended up staying in this sleepy seaside village for almost two months, apart from a short visa run to the border. What I love about slow traveling is that it gives you the chance to see beyond first impressions, a chance to deepen your connections and get an in-depth understanding of the context you are existing within.

The first two weeks in Tofo felt like summer camp for grown ups. I was sharing a room with three other girls and the giggles were endless. The place where we stayed was damp and only had hot water some mornings but the level of community I got from them was beautiful. Midnight walks on the beach, endless conversations about anything and everything that we were processing at the time, hours of silently creating side by side. The laughter when we were getting ready together to go out in the evenings and the cascade of gossip that erupted when we came home, exhausted from all the dancing. It made me think that perhaps my solo traveling doesn’t always need to mean that I do everything on my own. I truly enjoyed connecting over the shared experiences.

What happens to us when we slow down?

After three weeks in Tofo, my frown was finally turned upside down. All the good energies, people and food that surrounded me were rubbing off on me, including me into their abundance, beauty and joy. Today, a few months later, I have realised that it was my nervous system that started to relax. Not just from the hectic visa issues that I’d been struggling with just a few weeks earlier… No, the process runs a lot deeper than that. I believe that, for the first time in my adult life, with indefinite amounts of time ahead of me, I started to release some of the accumulated stress that comes with living in a hyper individualistic, capitalistic society. Powerful stuff!

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In the beginning, as I started to feel the relaxation of my nervous system happening, I questioned why it was suddenly happening now. For years I have dwelled in different practices and learnt different techniques to relax and live consciously, why am I only starting to feel it now? Perhaps that is what slow traveling allows space for: space for the inner processes to process and for the body’s systems to catch up and return to the present moment. Perhaps it is not even slow traveling specifically but a slow lifestyle in general that allows for this. The stillness, at times turning into boredom, the ‘having’ of undefined amounts of time and no specific goals to achieve, perhaps made everything quiet enough for my systems to start going about things at their own pace. Quiet enough for the ‘I’ to actually listen.

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Slow traveling and sustainable tourism

After my first week in Tofo I had a pretty good grip of where everything was. I had found the best spots to eat lunch, a hidden gem in the middle of the market. After two weeks I was a regular at certain vendors and in the third week the ladies making the meanest mojito in town knew my name.

A friend from Mozambique who is a regular in Tofo told me early on to spread out my grocery needs to different vendors, telling me that low season is especially hard for the market vendors of Tofo. By week two I had my avocado and banana lady, my tomato and potato lady and of course, my pao com badjias lady (mozambican breakfast dish: bread with fried bean balls, absolutely delicious!). When I came back to Tofo after my visa run to the border, the ladies at the market greeted me with warmth. It felt really nice, like being part of a community, not being so anonymous any more. That doesn’t normally happen in the big cities of Sweden where I’m from.

Early on in Tofo, I was told that I must take a tour with a dhow at sea while I am here. A dhow is a traditional sailing boat usually used by fishermen to work. A few years back, some local guys started taking tourists out on the dhows, using the fishermen as captains and themselves becoming the guides. One of these guys is 29 year old Ruben, founder of Boa Gente Tours. Boa gente means good people and seems to be the slogan for the Inhambane province.

The first time I went on one of Rubens tours, it was a game changer. Not only because the experience itself was intensely beautiful and I had what I can only call a spiritual experience when I snorkeled, but because it was the first time I got to encounter the essence of the Mozambican philosophy. Talking to Ruben, he made me open my eyes to how far the community mindset goes here and how different the view of money is. Even in business.

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I’ve reflected upon it previously on my instagram, writing about the Mozambican expression of estamos juntos loosely translated we are together or we are in it together. When I’ve encountered the community mindset previously it’s been hard for me to see beyond the codependence such mentality also brings. How can anyone have any freedom at all if you always have to put everyone else first? And of course there is that. But through Ruben and other local entrepreneurs like Percia Perola, founder of  Womi Massage in Tofo, I’ve also gotten to see what good it does, all the way from community level into their individual lives.

In academic terms, what they do intuitively is what I would call social sustainable entrepreneurship. It goes beyond making sure that money earned goes back into the community, it expands into knowledge sharing, space holding, emotional and spiritual support, building of schools, funding of solar power and so on.

Of course, in such tight knit societies, a lot of shit gets swept under the rug. If codependency is the premise of survival and security, it is natural to perhaps not call people out on their crap. I can see how those who want something else for themselves, outside of this mindset, suffer in the community context and expectations. They have to struggle with both internal and external guilt to conform and support the community. In many instances they still support their community parallel to also trying to do their own thing, all while constantly having to justify their life choices. Mozambique does not exist in a vacuum and many young people are torn between the different mentalities of urban and rural, community and individual, security and freedom.

However, all the shadows aside, it fascinates me how the concept of sustainability, something that Europe and the western world have taken years to conceptualise and work into laws and put forward as their solution to the problems of the world, still to this day, struggle immensely to implement and get people to understand. Meanwhile, here in Mozambique it is implemented on a day to day basis, to the extent it feels intuitive. It is part of their cultural fabric and social norms. The good as the bad that comes with it.

Four reasons to Slow Travel

  1. Because it is like medicine for body mind and soul to slow down in a world that constantly wants us to be in movement.
  2. Because you get a more in depth understanding of the context you are in.
  3. Because you will have time to form friendships and attachments, becoming part of a context and community.
  4. Because you get a chance to listen inwards, to your most inner needs, dreams and fears. Who knows, all that thinking and contemplation, you might get an epiphany and decide to take life into a whole different direction!
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Maboneng After Dark: Gentrification vs. Local Culture https://tge.adhd-hub.net/maboneng-after-dark-gentrification-vs-local-culture/ https://tge.adhd-hub.net/maboneng-after-dark-gentrification-vs-local-culture/#comments Sat, 24 Jun 2023 09:17:52 +0000 https://theglobalentity.com/?p=1422
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Maboneng After Dark: Gentrification Vs. Local Culture
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The Evolution of Maboneng

While in Johannesburg, I’ve been staying in the artsy neighbourhood Maboneng. In the language seSotho, Maboneng means Place of Light and I can’t think of a name more fitting nor more beautiful. I came here the first time in 2015, when the conceptualisation of the up-and-coming art neighbourhood was just in its beginning. During the next five years I got to observe first hand how the neighbourhood grew and expanded into a modern, creative, hipster area. Young artists, creators, dreamers and entrepreneurs quickly flooded the former industrial spaces turned into cute apartments. Obscure bars, cozy cafés, concept restaurants, markets, galleries and murals are what you will find when you go to Maboneng.

My favourite thing to do here is people watching. There is no catwalk like Fox Street, the main road running through all of Maboneng. Everywhere you look there is either a photo shoot going, on or some other creative project. Even the locals who are just existing, living their normal everyday lives, dress to impress. I sit in awe as I watch the people of Maboneng walk around with their individuality creatively wrapped around them.

This year, however, it is a less vibrant Maboneng that welcomes me. Even though there is life, light and people, it seems less loud and more grey. As I walk around trying to spot my favourite places and see what is new, it hits me how much is missing. My hangover souvlaki place, the amazing jewellery designer I always buy rings from and my Sunday market is all gone, to name a few. Just like in Durban, the pandemic put its mark here too. Perhaps because the economic base line in Maboneng seems to presuppose the presence of tourism, Maboneng was hit hard during the pandemic.

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Balancing Development and Community Values in Maboneng

As the night drew closer I notice another change in the area; the clubs! When I was here last time there was perhaps one club in all of Maboneng. Now, five years later, it feels like there are at least two per corner. Between nine PM and three AM, the music is pumping, shaking all of Maboneng and its inhabitants. Or perhaps, was it always like this? Am I just getting too old/boring for this neighbourhood? A local business owner says that the municipality used to regulate who and what kind of businesses got permission to move into Maboneng. But with the economy going anything but well the last few years, they have become more lenient to what kind of businesses they allow. Hence, the excessive amounts of clubs. I have no doubt that Maboneng will recover and start to blossom again but I do wonder at what cost?

It is apparent that the process that I’ve seen Maboneng go through these past couple of years is gentrification and commercialisation. Just like what is happening in Observatory, the previously affordable industrial apartments are now expensive due to the high demand of holiday homes and rising popularity of the area. On the one hand, Maboneng is a whole lot safer than it used to be. When I first got here in 2015, it was only Fox Street that was safe enough to walk on. Today, Mabonengs’ safe zones have expanded significantly which can be seen as a positive effect of the changes tourism and development of the area has led to. On the other hand, all of my friends who previously lived in this area, have now moved out. The main reasons being: raised rents, too much noise at night and the general sense that Maboneng doesn’t cater to the local individual. Which brings me back to the question; at what cost…

At what cost will Maboneng continue to develop? I’m afraid that the neighbourhood that I love so much will focus too much on the tourist market and forget to see to the locals’ needs. I’m afraid that if the development continues like this, it will ‘develop’ away the very essence of Maboneng: the people! What gives me hope is knowing how many enthusiastic people in the Maboneng community are working tirelessly to come up with better and more sustainable solutions. Long term solutions which are not just for foreigners. Wholesome solutions for the whole of Maboneng.

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Where to go kizomba dancing in Johannesburg

Despite my low energy and poor health, I feel like I have some sort of balanced everyday life routine going on. A very lazy, slow routine of course. I don’t want to strain myself. When I’m not chilling in Maboneng, I’ve been attending all of Baila Afrikas dance events. On Mondays, there are kizomba socials and on Wednesday they host salsa evenings at the restaurant Carpe Diem in Sandton. One Sunday a month, Baila Africa also have a dance party but this time at the restaurant PedroPortia. It feels great to be dancing so much! I’m even starting to feel like I know a few souls in this dance community. 

A night with Mabonengs finest: the Creatives

When I get back to the backpackers last Sunday after yet another sweaty and fun kizomba evening, the afterparty of Curiocitys’ jazz evening was running hot! Since I’ve been dancing salsa and kizomba every Sunday since I got to Johannesburg, I have unfortunately missed the open jazz rehearsals that Curiocity hosts every week. This time however, the party doesn’t seem to want to stop.

I have actually never seen the Hide Out Bar this packed. It seems like every 20-something year old in all of Maboneng is here tonight. They are spilling over everywhere, out onto the street, up on the bar, on the roof and up on the tables. I catch a friends eyes as she happily yells something at someone, she smiles when she sees me and waves for me to come over but the table is full and I feel a bit overwhelmed from all of the commotion. Trying to get away from some of the noise, I go out back into the courtyard of Curiocity. It is also packed but at least the volume is less here. I end up melting together with one of the groups outside. It’s a group consisting of mostly young, drunk men. They are happy and exhilarated from the performance that has just ended. After asking me a thousand questions, trying to get my number, they give up. Somebody starts to beatbox and pretty soon the whole group is swinging side to side, cheering the improviser on.

The quality of the impromptu rap battle varies… it is evident it was none of these guys up on stage earlier. But it doesn’t matter, we laugh loads and when somebody loses their thread somebody else is eager to jump in and take over. A girl, that I later learn is the singer Nomvuselelo, comes by and drops the smoothest, most magnificent bars that I have ever heard. She is cocky, her lyrics intelligent and her rhythm unmistakable. The whole group goes crazy when she is done and I feel a sense of pride that it was a girl that delivered the mic drop, especially in this context where men where taking majority of the space.

Suddenly, they are all turned looking at me. “Sweden! Sweden! Sweden!” They want me to rap. They. Want. Me. To. Rap. LOL! I die inside as I realise the socially awkward situation I am in. In that very moment, I cannot think of anything worse than making a fool out of myself in front of all these strangers. I cannot rap to save my life. On the other hand, I didn’t want to kill the vibe, that would also be  embarrassing. I realise that if I don’t want to be a party pooper, and actually contribute to the amazing energy that has been created in this little group, I am going to have to get over myself and rap. I try to get out of it but I realise the only way out is through. I start saying random words in Swedish, nothing rhymes, not all words are proper words but it doesn’t matter. I’m hitting the beat and everyone is hyping me up.

When I finish rambling what is essentially a grocery list the group is ecstatic! Their enthusiasm and kindness (everyone was well aware of how terrible my rapping was) makes me warm and safe. I laugh as they ask me for one more. “Have I not damaged your ears enough?” When they insist I surrender. They change the beat and I draw breath. The lyric that comes out I haven’t listened to in years, it is my old teenage anthem, I din trappuppgång, by Stockholmssyndromet. I know it by heart. When I finish the group explodes! One runs inside, the other one to the left and back. In all the commotion, somebody starts another beat and somebody new starts rapping. The euphoria rushing through my body is overwhelming. I dared! And it was messy and imperfect and so much fun!

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After an hour or so it starts to drizzle and the group becomes smaller as people go back inside. We all huddle close together under the stairs trying to protect each other from the rain. The rapping has stopped but the conversation is loud and messy. Somebody shouts something that I can’t really make out but silence spreads in the group and a sense of anticipation. They are all looking at this one woman with the longest nails I have ever seen. The silence is pregnant with anticipation. When she starts to sing I understand why. The woman is the artist Kallo Matlanyane, she has a voice that can be liked with Lauryn Hill, and a deliverance that could make even the hardest of statues soft. The rain increases but nobody wants to leave. Everyone is bewitched to the ground by this moment, enchanted by the presence her voice commands.

The amount of talent that is held by this neighborhood is just mind blowing. When the Hide Out bar closes, nobody wants the night to end. I have the same feeling but I’m leaving Jozi in less than 24 hours so the rational choice is to stay home and get some sleep. However, when they ask me to continue the party elsewhere I happily accept, why deny myself a proper Maboneng night? Outside it is raining cats and dogs. We who have gathered outside look at each other as we take each other’s hands and run out into the rain. It doesn’t take long before we are recreating an MTV music video from the early 2000s. As we dance and goof around I feel happy. I am probably going to get the flu after this rain dance but right now that is not important. I mean, how often do you get the chance to play and live your best life?

If you want to experience the night in video form you can click here!

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Crowdfunding project in Benin: the roots and origin of Salsa dance and rhythm https://tge.adhd-hub.net/crowdfunding-project-in-benin-the-roots-and-origin-of-salsa-dance-and-rhythm/ https://tge.adhd-hub.net/crowdfunding-project-in-benin-the-roots-and-origin-of-salsa-dance-and-rhythm/#comments Sun, 23 Apr 2023 15:22:55 +0000 https://theglobalentity.com/?p=954
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The Global Entity
Crowdfunding project in Benin: the roots and origin of Salsa dance and rhythm
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Meeting Eldred

The last time I saw Eldred was probably at Sun-Kissed Salsa. A phenomenal outdoor salsa event where you dance by the sea as the sun lowers Cape Town into its golden light. I’m so grateful for getting to know Eldred at the festival a few weeks back. Not only did he give countless, joyful dances during the festival, he is also the organizer of Cuban salsa events. Just my type of Salsa! It’s funny, you never know who your next dance partner might be and what worlds may open up thanks to a simple dance connection. You can find the Sun-Kissed Salsa every second Sunday by Seapoint Promenade all summer long. As he runs in between dancing couples trying to capture their moment it is easy to see why some people refer to him as Bubbles. His sparkling eyes are always smiling at somebody and wherever he goes, his energy spreads like wildfire.

When he calls today, I’ve been down with the flu for over three weeks. I am climbing the walls out of boredom, but alas, I am a walking flem hazard so I am staying put. Simply imagine my joy when Eldred called! “I have an idea” is how he starts the conversation. Immediately I am alert, not one thought left of self pity that comes when one is sick, far away from home. “Tell me everything” I respond and the conversation took off from there.

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Eldred at a salsa event at The Ivy on Park, Cape Town.

The importance of media and marketing for a festival tto succeed.

Eldred wants to crowdfund a photo project. A project of gratitude. A project of reclaiming space. A project of awareness. Let me explain. 2023 is the tenth year of the Benin International Dance Festival (BIDAF). Benin is a West African country between Togo and Nigeria. BIDAF is an Afro-Latin dance festival that takes place the first week of May every year. Eldred tells me it is one of the greatest festivals, with one of the highest standards that he has ever visited.

Despite this, there is almost no digital footprint of its ten year history. Almost no digital promotion. Last year was Eldred’s first time participating in the festival and he asked himself, based on the information available online, would he have bought a ticket? Probably not. Luckily, Eldred had some good friends vouch for the festival, but not everyone has these connections. If the festival isn’t leaving a big enough digital footprint it will be hard to bring in new participants. This is something that Eldred wants to contribute to through photo and video, sound and production.

The Afro in Afro-Latin Dances is missing from the global narrative.

“But the project is bigger than that,” he tells me. Bigger than marketing, larger than the capturing beautiful moments. “Because when I dance in Europe, or elsewhere, and people dance with me, afterwards they immediately speak to me in Spanish. And if I look at them strangely they might switch to Portuguese. And if I still look at them strangely, they may eventually ask, where are you from? And I say I’m from Africa, and they go huh? What they forget is that this is Afro-Latino, Afro-Caribbean, Afro-Cuban. And I think the African side of the Latin dances has been lost in this. So for me, the personal connection about being an African and claiming our rightful place in the shared history of creating this universal expression of passion, life,  freedom, sorrow and pain, that is what is essential.”

I laugh as he says this, remembering how I thought he was Cuban after our first dance together and how I really couldn’t understand that he, in fact, wasn’t a fellow latino. Not even a little bit. To dance the way he dances, with every rhythm, every emotion, every move loaded with historical meaning, and not be Latino..? I have seldom met anyone like it. And even though Eldred started his dance career as a five year old and has been dancing everything from ballet, contemporary, African contemporary, modern jazz, to ballroom and Latin ballroom, and his immense skills could be explained by that… I believe that mine and others’ immediate assumption of Eldred being Latin American, speaks volumes to what more and more people are starting to talk about today: the erasure of Africa’s contribution in the Latin dances.

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Eldred with friends during last years BIDAF.

Salsa's roots and history.

When it comes to Salsa and other Latin dances and music styles, the roots of the rhythms come from Africa. “Because that’s the other side of it, we forget that this history is not simply about a joyful expression. It’s about oppression, it’s about suppression, it’s about enslavement.” It is through our human history and interactions that the rhythms traveled to Latin America. “And Benin has a further story to tell about the dances because in fighting for its own independence, the Cubans and other folks from the Caribbean came and supported them in their fight. And the Benin musicians were incredible in terms of creating its own African blend of salsa music. So you have Gumbo, Salsa and elements of Son that comes into it. And people will dance to that with the same freedom and expression and gaiety as if you’re dancing anywhere in the Caribbean. And yet you know that the roots of these dances come from West Africa.”

“So there is this; the musical history and connection with where the dance has gone from West Africa to the Caribbean. There’s the Caribbean and the Cubans coming back and fighting in the local Revolution and bringing salsa home to its roots and giving it its current day structure. From the musical and folkloric expression to the more organized entity that we today call Salsa in all its iterations. And that is a story that hasn’t been captured and told. There is a history and a voice that is missing when we think of Salsa. But this is also about giving voice to Benin. Because the festival in Benin is not just a Dance Festival. It is a dance and destination festival because the cultural exchanges, the access to the folklore, to the social political understanding, and the linguistic experience, and the cultural experience of being introduced to the Orishas, to the Gods, the dances, the food, the textures, the the clothing, everything about it.”

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Eldred next to the indigenous vision of the Thinker, in Benin.

BIDAF Festival and purpose of crowdfund project

“[At the BIDAF Festival] you get exposed to and you understand the connection between all of those elements and the dance. All of the stories of the people of Benin and West Africa. The story of the diaspora, the story of the slavery, the story of enslavement, the story of liberation and being free. Additionally it is about the freedom of shaking those shackles, especially in the Mind through the Body. And that we could feel ourselves to be alive when we danced.  It’s the idea of the connection between Roots to Routes; a route as in where the roots come from, and the routes that it’s taken through the diaspora to spread across the world.”

To summarize, the ambition with the photo project is to crowdfund it this year, monetize the project in sales of photo books and postcards so that the production can fund itself the year after. The purpose of the project is threefold: create marketing opportunities to generate sales, capture the BIDAF legacy, and my personal favourite, reclaim and acknowledge African heritage in the Latin dances.

Do you want to contribute?

The crowdfund is open for one week and one week only! The goal is to gather 1,910 USD by the 30th of April, seven days from today. No contribution is too small, everything is appreciated and will be put to good use.

How?

The crowdfunding has been closed. Thanks for your contribution!

 

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Exploring Observatory: Airbnb’s and Gentrification in Cape Town https://tge.adhd-hub.net/observatory-airbnbs-and-gentrification-in-cape-town/ https://tge.adhd-hub.net/observatory-airbnbs-and-gentrification-in-cape-town/#comments Sat, 18 Mar 2023 18:55:46 +0000 https://theglobalentity.com/?p=833
The Global Entity
The Global Entity
Exploring Observatory: Airbnbs and Gentrification in Cape Town
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Obsessed with Observatory: Cape Town's Quirky Neighbourhood

After the dance festival finished it was time for me to move to a new area in Cape Town: Observatory (Obs). I love Obs! I have stayed here almost every time I’ve visited Cape Town because it is just so cozy. Not only are the houses and street art pieces all around Obs perfectly framed by Table Mountain in the horizon. No, Obs is a whole community in a fairly tiny space which makes it accessible. What I appreciate most about this neighbourhood is its bustling mini “city” center. In the middle of Obs, along the Lower Main Road, the cafés, restaurants, bars, thrift shops, local designer stores and antique stores are piled on top of each other. At night time there are even a fair few clubs that are open. I think it is safe to say that I could probably live in this neighbourhood for months at the time without feeling the need to go anywhere else.

Post festival bliss was quickly exchanged for post festival fever. As soon as I stepped foot into my new airbnb I could feel the inflammation taking over my body. I succumbed to three days of fever where my only resort was to sleep. To be sick while I am living in a stranger’s home was more than a little bit uncomfortable. Not because my host was anything but empathetic and helpful and generous. But because it wasn’t my space. And I felt disgusting and guilty for bringing germs into his home. Oh well, it is part of life.

 At least my new host has absolutely adorable animals watching over me and giving me love! It is amazing how animals have the ability to make such a huge difference in one’s existence. How their mere presence and attention can lift my energy and make me feel cared for, seen even. I love animals.

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Sunset from my new home in Observatory, Cape Town. In the background you see Table Mountain.
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Meet Chestnut, one of the two identical cats in this household. The other one is named Walnut and yes, he looks equally offended. They only take offence though when I close my window, aka their door.

The Airbnb Effect: Gentrification and Tourism in South Africa

In my fever haze I started reflecting about the correlation between gentrification and airbnbs’, furthermore, how this correlation takes effect in the specific context of South Africa. I remember distinctly that Obs is a student area, but looking at the rental prices today, I find it hard to see how a student could afford Obs prices. If we start from the first two components, gentrification and airbnb, it is easy to see how the possibility of earning a larger profit off short-term tourist rentals affects the prices but also the availability of long-term rentals for locals. In other words, the individual economic earnings that come with the airbnb business model, incentivise homeowners and landlords to turn their otherwise long-term rentals into short-term tourist rentals, with tourist prices of course. This gradually increases the prices of the local housing markets eventually making it impossible for locals to afford living in the area. So meanwhile the homeowners and landlords make individual profits; they do so on the behalf of the locals’ possibility of affording accommodation.

The other side of the airbnb effect is that an increase of easily accessible and affordable tourist accommodations in an area will most likely increase tourism in that area. This does push up the prices of the local housing market, as previously stated, but it also increases business potential and actualisation as there are new, external clients, the tourists, coming into the area with their purchasing power. However, who is it that profits? Who is it that profits from the tourist business revenues, from airbnb business models and affordable tourist rentals. Somehow I don’t feel it is the locals. This is where the third aspect becomes extra critical: the aspect of South Africa being the context.

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This amazing place is called Kind Regards, one of Observatory's newest editions. During day time it looks awfully mundane but in the evenings it comes to life! Link in the picture.

Apartheid's connection to today's gentrification in Cape Town

 As I have mentioned briefly in another post, between 1948-1994,  South Africa suffered almost 50 years of apartheid governing. The governing through racial segregation. It is now 29 years since apartheid fell but the consequences and aftermath of it lives on in both individuals and structures. One of the structural consequences of apartheid (as well as the history of colonialism previous to the apartheid rule) concerns housing and land ownership.

During apartheid, people were divided into races: black, colored, indians and whites. This was not just a categorization stamped onto your ID, it was the basis for where you were allowed to work, live and be. The apartheid regime declared many areas all-white areas and forced everyone who was not categorized as white to forcibly move. Their previous homes were demolished to make space for the apartheid regime’s constructions and plans. Despite there being talks, since 1994, about restoring land and homes to those who were forcibly removed, not much has happened on that topic since. Today, the majority of those forcibly removed in Cape Town live in what is classified as a township like the Cape Flats, commonly known for its notorious gangsterism, poverty and lack of infrastructure.

Inequality Reinvented: The Intersection of Gentrification, Airbnb, and Apartheid Legacies in South Africa

During the apartheid regime, Observatory was known as a grey area, meaning it was a mixed race neighbourhood and not a one-race area. Our brief review of South Africa’s recent history of apartheid is essential to understanding the devastating consequences of the airbnb effect and gentrification going on in Obs.

Land and/or home ownership equals resources. Resources in the form of everyday stability as well economical opportunities such as Airbnb rentals. Home and land ownership  not only enables but is a cornerstone for building generational wealth. Who, in South Africa, can actually afford to buy property? Who already has everything in place to start up an airbnb?

Due to South Africa’s current division of land being based on racist events and structures, the Airbnb effect can be seen to further increase socio economical injustices existing in the country. Structurally it is not easy for somebody stripped of their land and home to create wealth. I am not talking about the excessive kind of bougie wealth but rather the wealth of not living with economic stress. It is worth pointing out that the ones who are suffering due to the Airbnb effect like raise rents, are  the same demographics of people who suffered oppression during the apartheid.

Outside of the South African context, you can also see this economic structure of how the rich become richer. Meantime, socio-economically vulnerable groups struggle, sometimes their whole lifetimes, without achieving a stable economy, buying a fair home, or starting a business like an airbnb. For a neighbourhood like Observatory, that is known for providing affordable and accessible student housing, these processes are detrimental for the locals.

What is a sustainable traveler?

So what does this mean for me? I now see how the benefits I get from renting an airbnb are contributing to a larger, structural problem. Even though I personally don’t own any stolen land, or any land at all for that matter, I am still contributing and enabling destructive, racist and economically biased structures. That is not what I want. Especially not now that this, travelling, is supposed to be my new normal. My life. I want to travel in a more sustainable way. In a way that does not exploit. Can we travel sustainably? Is tourism evil? Is tourism exploitative by nature or design? Should I have to stop traveling now?

I have already booked a few airbnb’s for the last two weeks of December but after that I am taking a break from Airbnb’s to look at some other, hopefully more sustainable, accommodation alternatives! This is a learning process and I am happy to share it with you. Let me know what major changes you’ve been implementing in your traveling or life lately? 

Great spots in Observatory

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Stones Pool Bar is a Obs classic! Always filled with happy, drunk students. Link in the picture.
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The Conscious Kitchen, best vegan food in all of Cape Town! Link in the picture.
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The Obz Café, for me this place is filled with nostalgia and memories. Link in the picture.
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In the crossing of Trill Road and Lower Main Road there is a café I can't recall the name of. But it has always been there, perfect for brunch!
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Me at Beezle Bistro. Even if they didn't have delicious ice coffee I would have probably hung here for their amazing art. Link in the picture.
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In the middle right corner you see The Armchair. A fantastic multi-purpose place with a rolling schedual of comedy and open mic nights. Link in the picture.
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Interview with Angus Prince: Organiser of The Mother City Dance Festival https://tge.adhd-hub.net/interview-with-angus-prince-organiser-of-the-mother-city-dance-festival/ https://tge.adhd-hub.net/interview-with-angus-prince-organiser-of-the-mother-city-dance-festival/#comments Mon, 13 Mar 2023 19:58:11 +0000 https://theglobalentity.com/?p=783
The Global Entity
The Global Entity
Interview with Angus Prince: Founder of The Mother City Dance Festival
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After the Mother City Dance Festival I decided to contact Angus Prince, one of the main festival organizers, for an interview. The festival hosted around 500 people from 50 different countries, had a crazy amount of top-notch workshops and managed to create a community feeling in the short amount of time of the festival. I just had to know more! The picture above portrays Angus Prince and Ash Porter. Picture taken by ShutterMonkey Production.

Dance background of Angus Prince

Despite having two accomplished social dancers as parents, it wasn’t till Angus was a young adult that he decided to seriously dedicate time and space for dancing in his life. By coincidence he saw an ad in the local newspaper where a woman was looking for a temporary dance partner to compete with. Her partner had suffered an accident and needed time to recover. Together, she and Angus ended up training and competing in Latin ballroom for three and a half years. When Angus, originally from Port Elizabeth, later moved to Cape Town, he saw a sign advertising salsa lessons for 10 rand each (equivalent to $0.55). “I did a few beginners lessons, I did some advanced lessons and a few weeks later I came third in a local competition. About 6 months later I won that competition. That was 21 years ago.”

 

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Picture by ShutterMonkey Production.

Even though Angus came from the Latin ballroom community, the music played in the Latin ballroom spaces at the time e did not feel like him, he tells me. It was when he first saw the movie Mambo Kings that he was first exposed to real latin music. To say that the music completely floored him is an understatement.

Today he runs Evolution Dance Company, his own dance school in Cape Town. If you spend a week in Cape Town you will definitely be able to attend at least one or two good salsa events or socials. This, however, wasn’t the case when Angus started his salsa journey. “You know we didn’t have access to higher level training material so we started finding DVDs. I bought the 2003 West coast salsa congress dvd – the LA salsa congress with Albert Torres. I saw people doing things that I couldn’t have imagined.”

Angus started researching every and any kind of salsa style and music style that there is. He founded his dance school and in 2013 he was able to bring a group of kids from Khayelitsha, a township in Cape Town, to perform at the LA salsa congress. “That’s when I first met Albert Torres. We developed a friendship over time and eventually came up with the concept Roots of Rhythm which was a red thread throughout the entire Mother City Dance Festival.”

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Picture by ShutterMonkey Production.

What is Roots of Rhythm?

“All of the Latin rhythms come from Africa. This is where the rubber hits the road for me because people are dancing around the world but they actually don’t know the roots of what they are dancing to. That’s where the roots of rhythm come in, we are saying come and experience the real African roots of the music and dances. That’s why we opened the festival on Saturday night with the African dances. We can’t get away from the fact that those rhythms and those traditional movements are where it came from. It has evolved, developed, it has  become super technical, super acrobatic, etc… the industry is such, we are creating products so that we can sell a product. But the Roots of Rhythm is not about the product, it’s about the feeling, it’s about the connection, it’s about the essence. That’s what it is for me.”

Angus participated in developing the concept Roots of Rhythm in 2016 together with Albert Torres. To start a festival in Cape Town was Alberts dream but unfortunately he passed away in 2017 before he was able to see it through. The festival idea lay dormant for a while but eventually a group of people who Albert had mentored came together to pick up the pieces and make Alberts last dream come true. In October 2019 the festival premiered with huge success! The second festival had to wait for the pandemic to pass but late October 2022 it was time to do it all over again. When I’m speaking to Angus now, the planning for the 2023 Mother City Dance Festival is ongoing.

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Picture by ShutterMonkey Production.

What is the Mother City Dance Festival? What makes it special?

“Cape Town is South Africa’s mother city. It was the first city that was populated, it’s the place where the world connected. Before there was the Suez canal, people had to sail around Africa. So you have every country in the world represented in Cape Town. It is a hub of culture, a hub of trade, of interaction. For me, to be able to connect all of that with dancing, with people from around the globe, that is what it is all about.  I would like it to become an event on the global dance calendar where people feel ‘you know what, we have to go to The Mother City Dance Festival’. Dancing on the beach, visiting the cheetah sanctuary, dancing in one of Cape Town’s many vineyards or in the shadow of Table Mountain – where else in the world can you experience this?”

What is the purpose of Mother City Dance Festival?​

“So the idea of the festival is to showcase cape town and South Africa and to put the Mother City Dance Festival on the international festival map. Because we may not be big yet but we got really good quality in terms of workshop selection, performances, DJ’s and everything that goes around. The idea of an afro-latin dancer in Africa doesn’t really exist and if we don’t create a platform for professionals we are going to continue paying over price for European events and pro’s even though the talent exists locally.”

Picture by ShutterMonkey Production.

Can you give insight to why that’s a perception of African dancers?

“One of the big things, where there was a lot of pressure, was who I was bringing from Europe to teach kizomba. But why would I bring Europeans to teach kizomba to Africans? It is an ongoing battle because South Africans by their very nature, and unfortunately it’s historical, measure themselves against Europe. What I am finding very interesting about the non-African artists that I am engaging with is that they all want to go to Africa to reconnect with the rhythms.

As an African community we don’t really celebrate each other. I think it’s about a surviving mentality more than a thriving mentality. We are a very Eurocentric country but we need to generate some African pride. We had representation from about 50 countries in 2022 but the majority of them are Angolan, Mozambican and South African. We’ve got very strong ties to the dance communities of Mozambique and Angola, we support their events and travel between our countries quite often to do workshops and events. That is part of the Roots of Rhythm concept: we want to get people, including locals, to understand that traveling and dancing in Africa is an opportunity to develop and grow. It’s about creating value for the dance community. That’s what we are trying to do.”

If you want updates about this years festival you can follow the Mother City Dance Festival on Facebook and Instagram.

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Unpacking Dance Community Dynamics: A Personal Reflection https://tge.adhd-hub.net/dance-communities/ https://tge.adhd-hub.net/dance-communities/#respond Thu, 02 Mar 2023 11:55:41 +0000 https://theglobalentity.com/?p=2939
The Global Entity
The Global Entity
Unpacking Dance Community Dynamics: A Personal Reflection
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My Dance Background

Tonight is the first party of the salsa, bachata, kizomba festival and as excited as I am, I’m also a bit nervous. I’ve been dancing my whole life. Up until I was 17 years old it was mainly ballet and contemporary dance with small elements of salsa and musicals. Dancing has always been my most natural way of expressing and processing emotions, even the ones that feel too big for my body to hold. As I grew older and stopped with my classical training, salsa, bachata and eventually kizomba became my new safe space. Except the dance communities weren’t safe. And more often than not did I feel there was no space for someone like me.

 

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Fresh off the bus that took me from Durban to Cape Town.

The toxic expressions of dance communities

As a mixed person with one parent from Latin America, it felt really weird to have to “fight” for inclusion in a community which represented and made money off my culture. And as sad as that is, it was often the case. Rooms filled with people fighting for attention and inclusion into some sort of status hierarchy. Side glances, cold shoulders, there are many ways to make a person feel small, the worst one being not getting to dance. Just sitting and waiting and waiting, hoping for somebody to have either the mercy, compassion or just common sense to invite the new girl to dance. 

The older I got the more I noticed who got excluded and who got included. It all depends on the context of course. On Cuba, the ones who get to dance and be most included are the white, female tourists. If there are tourists around, the local women usually have to take the back seat. The crude explanation of this is that tourists give other opportunities, financial ones and opportunities of getting out of the country. More often than not you see amazing, mind blowing Cuban dancers dragging along a two-left-feet lady, night after night.

In Sweden, the norms are  different. To give you the context, the ratio between men and women in Swedish dance communities are greatly skewed. For every man you might have 8-20 ladies waiting to dance. This leads to a dynamic where the men get to pick and choose, while the women fight for the mens’ attention on the premisses decided by the men (not necessarily consciously). My deduction is that in order to dance the most you should be slim, tall and white. But also agreeable, laughing, smiling and quiet. Needless to say, I don’t quite fit into any of those categories. 

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Beautiful view of the rooftops and chimneys of Woodstock, Cape Town.

Why I Dance: My Safe Haven

One might question why then, with all of these destructive dynamics in the dance world, why do I dance? Why do I choose to continue spending time and energy in these spaces? The simple answer is that I love dancing. Dancing has been part of my way of living always and it is what I always return to when I feel lost. No matter the physical and social spaces, dancing, in itself, is my safe space. Despite the dance community norms triggering everything from eating disorders, body dysmorphia, identity crisis and the feeling of not belonging – dancing has healed me more times than I can remember.

It is not like the people in dance communities are rotten either, most of them are good, normal people and there’s even some conscious dancers too. Finding them, sharing that dance, experiencing that connection, can be otherworldly. It makes me feel  alive. However, something happens when we come together. It’s like we are unable to create outside of the capitalistic limiting, competitive framework and it shows in how we treat each other. In our culture. I do believe that dance communities can also be just that: a community. Somewhere people gather, interact, belong, grow and coexist. That’s at least what I always come back to, what I long for.

So there you have it, my complex relationship to dance communities. Now I am both curious and nervous to find out what the Cape Town vibe is like. Wish me luck!

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Obligatory bathroom selfie from my Airbnb in Woodstock, Cape Town.

How do we build Social Sustainable Dance Communities?

I think a lot about what it is I feel is missing in the dance communities, why they more often than not show severe social dysfunction to the degree I would liken it with the dynamic between high schoolers.

One explanation could be that dancing is a tool for healing, and many of us are drawn to it to heal something we are unaware of. But instead of being a secure platform for transformation and healing, the dance scene often tears people down.

So how can we build dance communities that enable people to grow? Where you feel welcome no matter your background, level or looks. We need changes on so many levels, I’m thinking themes of:

 

Inclusion: dancing is something that constantly evolves. It is vital to continuously honor the dances by educating about their roots and include representatives at festivals. For a dynamic and healthy dance scene, there needs to be equal inclusion of the new and innovative dance styles and dancers as well. That is how dance stays relevant, it evolves with us.

Representation and equality: MATTERS! I cannot express what it did for me to see another curvy, plus size lady teaching ballet unapologetically. Another aspect of the same theme is who gets hired, who gets featured, who gets paid and who is expected to be ‘grateful for the opportunity’. Can we also stop glorifying European artists in African contexts?

Economic sustainability: I don’t have statistics on this okay but it is my distinct perception is that all my professional dance friends have other jobs to support their dance careers, more often than not they are expected to work for ‘exposure’. In other words for free. 

Participants perspective: this is what needs to be in focus and drive the dance communities forward. Without the participant’s there is no dance community, just a bunch of stars without an audience.

Gender roles: Perhaps is this what ruins it all. For some reason, at least in Sweden, I feel the salsa bachata and kizomba communities are ten times worse when it comes to sexism and gendered power dynamics. It is such a tiered structure that limits us as people and as dancers. I’m over it.

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